Fishman Artist // Band Of HeathensThe Band of Heathens is constantly being compared to The Band because of the musical finesse that overlays their timeless, rootsy core. And the three founding members are all skilled multi-instrumentalists who can play almost any position in the field. But TBoH has reached so many fans so fast because of the echoes of and subtle homage to so many different artists at the core of the Americana canon, including Tom Petty, Tony Joe White, the Grateful Dead, Leon Russell, George Harrison, and other rarified stylists.
Given the timelessness of their sound, one gets the sense that Jurdi, Gordy Quist and Colin Brooks would have gravitated toward the same essential feel had they met in 1975 or 2045. As it happens, it was in 2006 after each songwriter had established residency gigs on the same night of the week at Momo’s, an eclectic-minded club on Austin’s famous Sixth Street. Friendship, semi-regular sit-ins and harmony jags gelled into something quite rare: a band with three frontmen, each with enough humility and passion to invest in the larger project. (Please stop asking them exactly when, by the way; they don’t remember.) The sum transcended the parts. Bassist Seth Whitney was a member from the get-go. Drummer John Chipman joined in 2007 as their road calendar got heavier.
The Heathens took their time getting their first studio album out, but when that eponymous debut was released in 2008, they proved they could write and record a coherent statement that measured up to their show. They followed relatively quickly with One Foot in the Ether toward the end of 2009. Both shot to the top of the Americana chart and remained there for months, evincing a longevity rare in any format of music. Each added songs to the band’s set lists that have become staples and favorites: “Jackson Station,” “Cornbread,” frequent set closer “Don’t Call on Me” and the rocking, cathartic “L.A. County Blues.”
TBoH was honored as Best New Band at the Austin Music Awards and nominated as Best Duo or Group by the Americana Music Awards. The Wall Street Journal’s Jim Fusilli called theirs the best set he saw during South by Southwest 2009. And the rest of the press has been equally effusive: The Dallas Morning News calls them “a must-see show.” Maverick magazine says they’re “magnificent.” For The Chicago Tribune, the band felt “refreshingly different,” and Country Standard Time hailed their second studio album as “exceptional.”
"This stuff sounds awesome. We're always on the search for tone, and my Fishman pickup with the Spectrum DI is hands-down the most natural acoustic tone I've found for both full-band and solo-acoustic shows." - Gordy Quist